You manage to render the architecture’s simple lines in a somehow complex composition. You created a lot of “thirds”, and the dozing man is a “third” in a “third”.
Ther balance of light and shades is perfectly fine, yet the complete grayscale is there.
MoMA is great architecture everywhere, precise and delicate in it’s strenght. It is modernity that manages to preserve intimacy between humans and environment.
The hint of green/life (someone using this architectural environment) makes the picture almost irreverent, almost hilarious, almost incongruous; but your soft approach makes it a great moment.
Sometimes you like something but can’t tell why. Sometimes all the reasons come to you in a rush.
You manage to render the architecture’s simple lines in a somehow complex composition. You created a lot of “thirds”, and the dozing man is a “third” in a “third”.
Ther balance of light and shades is perfectly fine, yet the complete grayscale is there.
MoMA is great architecture everywhere, precise and delicate in it’s strenght. It is modernity that manages to preserve intimacy between humans and environment.
The hint of green/life (someone using this architectural environment) makes the picture almost irreverent, almost hilarious, almost incongruous; but your soft approach makes it a great moment.
Sometimes you like something but can’t tell why. Sometimes all the reasons come to you in a rush.
The setup of the hall was superb…. I like it… But what can do the lonly man there?